Children of the Lion

December 29, 2021

I had the sudden impulse to photograph Juneau as he lounged on Kara's hanging crochet basket. Juneau is perhaps the most conventionally photogenic cat I've ever encountered. Apart from that though, I haven't shared enough time with him to confidently speak on his personality, although I get the impression from Ted that he's a bit of a rascal and that he maintains some level of awareness about his good looks.

Everyone is first naturally drawn to his marble blue eyes and then to his smokey fur which contrasts beautifully with the former. The surface of his face is streaked with dark lines, and his overall facial structure denotes a lineage of feline ancestors from the early ages of the earth. Inevitably, there's a bit of insecurity on Ted and Kara's part that his looks overshadow his siblings', particularly Nellie who is the more traditional cat in appearance. Of course, that insecurity almost inverts the dynamic, and one might become more invested in interacting with Nellie, thinking her to be neglected in the shadow of her brother. Unfortunately, this can feel like an obligation more than a genuine interest, especially after swooning over Juneau. Winston is notably left out entirely from this back-and-forth because of his seniority and his very distinctive attitude resulting from a long life, something that Juneau and Nellie are still growing into. In addition, Winston has already received years of exclusive attention even when he lived with Ellie, being much more well-mannered than his sister.

Of course, Nellie herself is no less sophisticated or beautiful. Her fur is warm and rustic like fine wood and her eyes bear hints of green. She is very much of the earth and in a way more comforting than Juneau whom I would describe as urban and chique. As is with Juneau though, my time with Nellie has been limited so I can't speak of her on anything more than a surface level observation.

You will notice that Juneau represents the majority of the album and Nellie only a small portion. In that particular moment, I was enamored with Juneau as he was lit against the window, but he was very aloof as all cats are. This aloofness works to perpetuate him as a vogue cat. I spent several minutes in vain trying to position his basket so the light would properly highlight his face, only slightly though so as not to disturb his nap. Nellie on the other hand, sat patiently in her cat bowl, and curiously watched me as I photographed her. She occupied a darker corner of the house, which dissuaded me from incessantly shooting her. They were both very cooperative cats. They were both also napping in the moody winter afternoon, and therefore less inclined to decline or even care.

Nutrinos

December 27, 2021

As has become tradition with my visits to Beaverton, I took a stroll around the local lake with my family. At this point, the fresh snow had puddled into a wet mush and the trees were stripped of their white highlights. It was an overall very gloomy, cold, wet tundra, but something I had come to expect visiting the northwest during this time of the year.

The wildlife had retreated either to warmer regions or cozier holes. I did spot some Nutria rats of which I continuously failed to pronounce and had to be corrected several times by my nephews. One in particular was very unmoved by my presence and graciously allowed me to photograph it. There were also a few Nutria families who retreated back into their hidden hollows as we crossed paths. Unfortunately, the sun had receded so low and the light so dim in the overcast that it was difficult to make them out even in the final images.

Dressed as I was, no amount of casual winter wear could protect me from the sharp cold that would bite my nose and the tips of my unprotected fingers. The nephews seemed sturdy and relatively unphased by the winter air, and I did my best to mirror their steadfastness in this weather that was internally destroying my frail west coast persons.

Good Morning, It Was Only A Dream

December 27, 2021

I awoke from the night of Someone You Love in a similar mood of reflection. Just as I felt myself reverting to the episodic nightmares of my childhood, so too did I once again experience the warmth of entering the waking world in the comfort of my parents' shelter.

My mother stood in the kitchen and selected the silverware for breakfast as I eagerly stepped out onto the back porch, neglecting to put my shoes on. The evening snow was rapidly melting with the morning sun and I felt a strong and incontestable compulsion to photograph the same scene I had the night before.

It was a compelling contrast to have Someone You Love and Good Morning act as parallel photo series in this backyard. It was only appropriate that at my parent's house, as I regained the sentiments of my childhood, I felt a Romantic urge inside of me to photograph as I did when I was younger. And with the sun low on the horizon and the snow still fresh, I thought back to the painting that hung in my living room as a child.